WEKO3
アイテム
The Unnamable・造形的言語表現の形態とその色彩について
https://az.repo.nii.ac.jp/records/4796
https://az.repo.nii.ac.jp/records/47961064f15d-57b5-4885-b4ce-34770be9edea
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
bull_jau_vol11-12-009.pdf (1.4 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2005-01-01 | |||||||||||
| タイトル | ||||||||||||
| タイトル | The Unnamable・造形的言語表現の形態とその色彩について | |||||||||||
| タイトル | ||||||||||||
| タイトル | A Study of Samuel Beckett's The Unnamable | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | The Unnamable | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | abstraction | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | deformation | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | colours | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ページ属性 | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | P(論文) | |||||||||||
| 記事種別 | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | 原著論文 | |||||||||||
| Type | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | ORIGINAL ARTICLE | |||||||||||
| 著者 |
石井, 康夫
× 石井, 康夫
× ISHII, Yasuo
|
|||||||||||
| 著者ID | ||||||||||||
| 000270 | ||||||||||||
| Author ID | ||||||||||||
| 000270 | ||||||||||||
| 所属機関 | ||||||||||||
| 麻布大学獣医学部基礎教育研究室 | ||||||||||||
| Institution or Company | ||||||||||||
| Laboratory of Basic Education, School of Veternary Medicine, Azabu University | ||||||||||||
| Abstract | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | Samuel Beckett wrote The Unnamable in 1950 after he completed Waiting for Godot. Although the style of this work is very simple, the discourse is chaotic and filled with confusion. Beckett himself made a statement : "A la fin de mon oeuvre, il n'y a rien que poussiere; le nommable." The characteristic style of monologue creates sometimes polyphonic human voices which make effects of echoes in the skull of the first person narrator, and eventually fabricate the story of Mahood (which symbolizes Manhood) and Worm (a deformed human figure). This represents the close relation between silence and human existence made of language. Moreover it is characteristic of colours : black and grey. Both colours correspond to silence and voices, or to perfect darkness and gloom. These cold colors symbolize the void between silence and words. The Unnamable is based upon the conceptual form of Beckett's abstraction which has relevance in modern arts. Abstraction is a concept of modern arts. W. Kandinski, P. Klee and G. Braque are the representative artists of the 20^<th> century, who had their own spirits which realized their work through insights and self-observation. But the work of Bekcett was inspired by the impossibility of expression that corresponds with the works of Bram van Belde. | |||||||||||
| 書誌情報 |
麻布大学雑誌 en : Journal of Azabu University 巻 11/12, p. 9-19, 発行日 2006-03-31 |
|||||||||||
| 出版者 | ||||||||||||
| 出版者 | 麻布大学 | |||||||||||
| Publisher | ||||||||||||
| 出版者 | Azabu University | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 1346-5880 | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AA11561468 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| text version | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| format | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | application/pdf | |||||||||||
