@article{oai:az.repo.nii.ac.jp:00004796,
 author = {石井, 康夫 and ISHII, Yasuo},
 journal = {麻布大学雑誌, Journal of Azabu University},
 month = {Mar},
 note = {Samuel Beckett wrote The Unnamable in 1950 after he completed Waiting for Godot. Although the style of this work is very simple, the discourse is chaotic and filled with confusion. Beckett himself made a statement : "A la fin de mon oeuvre, il n'y a rien que poussiere; le nommable." The characteristic style of monologue creates sometimes polyphonic human voices which make effects of echoes in the skull of the first person narrator, and eventually fabricate the story of Mahood (which symbolizes Manhood) and Worm (a deformed human figure). This represents the close relation between silence and human existence made of language. Moreover it is characteristic of colours : black and grey. Both colours correspond to silence and voices, or to perfect darkness and gloom. These cold colors symbolize the void between silence and words. The Unnamable is based upon the conceptual form of Beckett's abstraction which has relevance in modern arts. Abstraction is a concept of modern arts. W. Kandinski, P. Klee and G. Braque are the representative artists of the 20^<th> century, who had their own spirits which realized their work through insights and self-observation. But the work of Bekcett was inspired by the impossibility of expression that corresponds with the works of Bram van Belde., P(論文), 原著論文, application/pdf, ORIGINAL ARTICLE},
 pages = {9--19},
 title = {The Unnamable・造形的言語表現の形態とその色彩について},
 volume = {11/12},
 year = {2006},
 yomi = {イシイ, ヤスオ}
}