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Considerations of the Influence of Jean Racine on Samuel Beckett’s Plays
https://az.repo.nii.ac.jp/records/5255
https://az.repo.nii.ac.jp/records/5255c3875b45-7af6-4add-8b00-04b05c39186a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
bull_jau_vol29-035.pdf (415.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2018-03-26 | |||||||
| タイトル | ||||||||
| タイトル | Considerations of the Influence of Jean Racine on Samuel Beckett’s Plays | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | monologic lines | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | non-vivid development | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | preordained destiny | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Racine, Berenice | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| ページ属性 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | P(論文) | |||||||
| 記事種別 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | 原著論文 | |||||||
| Type | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | ORIGINAL ARTICLE | |||||||
| 著者 |
ISHII, Yasuo
× ISHII, Yasuo
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| Author ID | ||||||||
| 000270 | ||||||||
| Institution or Company | ||||||||
| Laboratory of Basic Education, School of Veterinary Medicine, Azabu University | ||||||||
| Abstract | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | One of the characteristics of Samuel Beckett’s plays is found in the structure and monologic lines. Beckett who made efforts to describe prosaic works felt some kind of tolerance for its expression after the war. But the essence of a peculiar monologic style by a first person narrator and the chaos created by words are inherited to his plays. Destiny with impasse in prose is converted into a play, Waiting for Godot. The symmetrical structure and monologic lines form two repetitive acts with no dramatic development. The sluggish progression without vividly dramatic effect create a peculiar world which symbolizes a situation where people are placed in the depth of despair. On this point, it can be supposed that Beckett was influenced by Racine’s plays, especially Berenice. In almost the same period in which he wrote Godot, Beckett re-read Racine’s plays and comprehended the effect of the dramas. He thought that the essence of Berenice lies in the pre-destined fate and plain dialogue between its characters, or its non-vivid development. He must have applied these effects to his own plays. Dialogue consisted of monologic words, development without vivid drama and the pre-destined fate of people; effects which proved useful for Beckett’s dramas for the present age. Happy Days reflects the undramatic drama of Berenice. Therefore, Winnie is the deformed character, consisting of Beckett’s monologic expression. | |||||||
| 書誌情報 |
麻布大学雑誌 en : Journal of Azabu University 巻 29, p. 35-43, 発行日 2018-03-31 |
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| 出版者 | ||||||||
| 出版者 | 麻布大学 | |||||||
| Publisher | ||||||||
| 出版者 | Azabu University | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 1346-5880 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AA11561468 | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| text version | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| format | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
