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  1. 著者
  2. I
  3. 石井 康夫
  1. 紀要
  2. 麻布大学雑誌
  3. 麻布大学雑誌Vol.24 (2012)

Considerations on Alberto Giacometti’s art and the fundamental idea for art : description of an object and inter-subjective introspection

https://doi.org/10.14944/00003717
https://doi.org/10.14944/00003717
d46291b3-3b6e-4479-9c08-51683f5cf1ce
名前 / ファイル ライセンス アクション
bull_jau_vol24-037.pdf bull_jau_vol24-037 (2.5 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2014-03-20
タイトル
タイトル Considerations on Alberto Giacometti’s art and the fundamental idea for art : description of an object and inter-subjective introspection
言語 en
言語
言語 eng
キーワード
言語 en
主題Scheme Other
主題 Surrealism
キーワード
言語 en
主題Scheme Other
主題 Existentialism
キーワード
言語 en
主題Scheme Other
主題 Inter-subjective introspection
キーワード
言語 en
主題Scheme Other
主題 Phenomenology
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.14944/00003717
ID登録タイプ JaLC
ページ属性
内容記述タイプ Other
内容記述 P(論文)
記事種別
内容記述タイプ Other
内容記述 原著論文
Type
内容記述タイプ Other
内容記述 ORIGINAL ARTICLE
著者 Ishii, Yasuo

× Ishii, Yasuo

en Ishii, Yasuo

Search repository
Author ID
000270
Institution or Company
Laboratory of Basic Education, School of Veterinary Medicine, Azabu University
Abstract
内容記述タイプ Other
内容記述 Alberto Giacometti was an artist who produced many sculptures and paintings in the 20th century. Although he believed that making a sketch and describing an object were primary goods of an artist, he wastemporally influenced by the idea of surrealism. The impossibility of depicting an object accurately led him to surrealistic imagination. Nevertheless he was essentially a traditional artist who inherited his father’s viewpoints. According to Sartre who evaluated and admired his works, his sculptures could be understood as being existentialistic, for thin figures like a thread seemed to symbolize the essential existence of a human in the 20th century post-war era. However, this explication may be attributed to the result of Giacometti's art activity. His actions as an artist were more simple, and he developed his own vision and form by study of all kinds of art and works.
Giacometti believed that ancient sculptures and paintings like those seen in Egypt, Sumer, or Byzantine were very important for his own art, because they were the precious products made from ‘vision’ and ‘form’ of a historical age and the culture of that age. He also suspected that European modern ‘realism’ was deficit of such vision and form in art. Realistic description based on realism or realistic resemblance of the object were not important for him. He supposed that ‘resemblance’ was obtained through persistent observation and examination of the object and his own intuition and perception.
Therefore, the importance was found his actions themselves which were based on his inter-related subjective introspection by means of an object. Phenomenological subjective examination led to the development of his own ‘vision’ and ‘form’ for his creations which resulted in ever thinner figures. Giacometti’s vision and his act of describing an object based on strictly inter-related subjective examination were so innovative that he developed a post-modern perspective for art became to be recognized as the essential paradigm for art and way of thinking in the 20th century.
書誌情報 麻布大学雑誌
en : Journal of Azabu University

巻 24, p. 37-48, 発行日 2013-01-31
出版者
出版者 麻布大学
Publisher
出版者 Azabu University
ISSN
収録物識別子タイプ ISSN
収録物識別子 1346-5880
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA11561468
NII論文ID(NAID)
内容記述タイプ Other
内容記述 40019736785
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
text version
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
format
内容記述タイプ Other
内容記述 application/pdf
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