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A study of reconstruction of realism as the act of representing an object
https://az.repo.nii.ac.jp/records/3849
https://az.repo.nii.ac.jp/records/3849a3fcab9b-270c-41c9-a2d8-5f68a9e30a61
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
bull_jau_vol17-18-001 (8.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2014-02-21 | |||||||||
| タイトル | ||||||||||
| タイトル | A study of reconstruction of realism as the act of representing an object | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | eng | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Cruel humor | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Internal necessity | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Realism | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Goya | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Kandinsky | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Dix | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ページ属性 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | P(論文) | |||||||||
| 記事種別 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 原著論文 | |||||||||
| Type | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | ORIGINAL ARTICLE | |||||||||
| 著者 |
Ishii, Yasuo
× Ishii, Yasuo
× Ishii, Yasuo
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| Author ID | ||||||||||
| 000270 | ||||||||||
| Institution or Company | ||||||||||
| Laboratory of Basic Education, School of Veterinary Medicine, Azabu University | ||||||||||
| Abstract | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | As is so frequently pointed out, Francisco Goya is the originator of the modern arts. It is certain that his works in his later period featured disastrous humor which dealt with the terrible war or the misery of human beings. The Black Paintings and other print works expose such poignant cruelty and humor that Goya developed inside his mind through his art career. Cruel humor is the key to the modern style of arts. Modern literature, as the act of representation is linked more directly to meta-language contents, is affected by the development of the linguistics of the 20^th century. Since Samuel Beckett or Maurice Blanchot deal with these linguistic themes, the direction of literature tends to be driven to the 'impossibility' of expression by language. Consequently, the act of description by words becomes more disastrous, destructive or absurd. In this respect, devastating cruelty of humor is also one of the characteristics of modern literature. There is another style of modern representation in "abstraction" developed by Wassily Kandinsky, who did not make much of the natural representation of an object he painted. The tradition of Western painting, which aimed at depiction of an "object", was revolutionized by his art theory. It is "internal necessity", according to Kandinsky's definition, that is the most important thing which synthesizes everything including the style, the form, and the colors of the work. His art method is the synthesis of spirit and the internal realism of an artist. Otto Dix, a German painter, painted his works based on the Nietschean existential realism. His style is completely in contrast to that of Kandinsky who denied the importance of an object. For Dix, an object is the most important factor for painting. His purpose is to represent the object as it is, depending on the artist's "eyes." Thus, his realism as a portrayer is inherited from that of the German tradition, probably Albrecht Dürer. With regard to depicting war, a cynical and humorous style is common with Goya. Although Dix's humor and cruelty is so serious that his works were persecuted as paintings of antiwar ideas, later he became one of the most important artists in modern arts. These artists attempted reconstruction of realism. Severe humor and allegories, meta-language motif, and cynical humor are the essential factors of the act of representing objects. |
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| 書誌情報 |
麻布大学雑誌 en : Journal of Azabu University 巻 17/18, p. 1-15, 発行日 2009-03-31 |
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| 出版者 | ||||||||||
| 出版者 | 麻布大学 | |||||||||
| Publisher | ||||||||||
| 出版者 | Azabu University | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1346-5880 | |||||||||
| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA11561468 | |||||||||
| NII論文ID(NAID) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 40016759563 | |||||||||
| 著者版フラグ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| text version | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| format | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | application/pdf | |||||||||
